"By continually pushing boundaries I strive to both invite and invigorate reflection on contemporary dance."

 

 

 

CHOREOGRAPHIC WORKS
*Does not include the re-settings and restaging of work on other companies.


Siesta 
(1995) Staged at American Dance Guild’s performance at the Merce Cunningham Studio in NYC.

Modern Times (1995) commissioned by Princeton University, NJ.

Chairs (1995), staged at Rutgers University, NJ.

Flower Eaters (1996), commissioned by the Arts Fissions Dance Company and staged at the Alliance Francaise in Singapore.

 

Stirrings (1997) Commissioned by Singapore Dance Theater, staged at the Victoria Theater in Singapore.

Room with a wall (1997) commissioned by the Yard Dance Festival, Martha’s Vineyard, MA.

Room with a view (1998) commissioned by the National School of Contemporary Dance in Copenhagen, Denmark, staged at Dansescenen in Copenhageen.

The Ladder (1999) commissioned by the Almada Dance Festival, Portugal.

Birdy (1999) commissioned by the Marato de L'espectable and performed at Institut de Cultura in Barcelona, Spain.

The Road (1999) commissioned by Ballet de Camaguey in Cuba, presented at the Havana Dance Festival.

Spelling Love (2000) commissioned by the Theater Council in Denmark, staged at Kalaidoskop Theater in Copenhagen.

Ene, ikke alene (2000) commissioned by Danish Dance Theater, performed at Sceneriet, Copenhagen.

Faces (2000) commisioned by the Metropolitan Museum of Photography in Tokyo, Japan.

Brief encounter (2001) commissioned by Tisch School of the Arts, NYU.

Conversations (2002) commissioned by The Milwaukee Ballet.

The Visit (2002) created on Ririe-Woodbury Dance Company.

In Passing (2003) commissioned by Verb Ballets in Cleveland, OH.

Rite of Spring (2004) created on Ririe-Woodbury Dance Company.

Degrees of Separation (2005) created on Ririe-Woodbury Dance Company.

Walls (2006) commissioned by Tisch School of the Arts, New York University.

Bridg(2006) created on Ririe-Woodbury Dance Company.

Lost (2007) created on Ririe-Woodbury Dance Company.

 

Interiors (2008) created on Ririe-Woodbury Dance Company.

It's All About Falling (2008) staged at and commissioned by NYU/ Skirball Center for the Performing Arts in NYC.

Turf (2009) created on Ririe-Woodbury Dance Company.

Row (2010) commissioned by Ballet West.

Key (2010) created on Ririe-Woodbury Dance Company.

Touching Fire (2010) created on Ririe-Woodbury Dance Company. 

Push (2011) created on Ririe-Woodbury Dance Company.

West (2011) created on Ririe-Woodbury Dance Company on a residency at Wickenburg, AZ.

But Seriously (2011) created on Ririe-Woodbury Dance Company.

Falling (2012) commissioned by Compañía Danza Contemporánea Ccu, Mexico.

Those in the Desert (2012) created on the Ririe-Woodbury Dance Company.

The Finish Line (2012) created on the Ririe-Woodbury Dance Company.

Flower eaters, revisited (2012) created on Arts Fissions in Singapore.

The Wedding (2013) created on NOW-ID, staged at the Masonic Temple in Salt Lake City, Utah.

Shadows (2013) commissioned by Tisch School of the Arts, New York University.

Amuse Bouche (2014) NOW-ID.

Fire (2014) commissioned by Wichita State University.

Graze (2014) commissioned by Simon Fraser University, Vancouver Canada.

Feast (2014) created on NOW-ID, staged at the Great Saltair, Utah.

Et Glimt, saa er jeg vaek igen (2014) collaboration with the Figura Ensemble, staged at Marienlyst Castle in Denmark.

Glimpse (2014) NOW-ID commissioned by Utah Museum of Contemporary Art in Salt lake City, Utah.

Waves (2014) commissioned by the Ballet Department at the University of Utah.

Feast/Kansas (2014) commissioned by Wichita State University and done in collaboration with the Percussion Ensemble and NOW-ID.

NOWHERE (2015) created on NOW-ID, staged at Libby Gardner Concert Hall in Salt Lake City, Utah.

Return (2015) commissioned by Broward College in Miami.

Fervor (2015) commissioned by Lasalle-Sia, College of the Arts in Singapore.

Unsettled (2015) commissioned by The University of Richmond in Virginia.

Without Walls (2016) commissioned by the Summit Artist in Residency program, Eden

Cut (2016) commissioned by Compañía Danza Contemporánea Ccu, Mexico.

EXODUS (2016) created on NOW-ID, staged at The Marriott Center for Dance in Salt Lake City, Utah. Toured to and was performed at The Copenhagen Opera Festival and at Funen Opera House in Odense, Denmark in August, 2016.

Borders (2016) created on Carley Conder of CONDER/dance. Performed at Breaking Ground Dance Festival in Phoenix, Arizona in January, 2017.

Base Instinct (2016) commissioned by Wichita State University in Kansas.

It's Not Cracker (2016) created on NOW-ID and staged at Utah Museum of Contemporary Art in December 2016.

Unidentified (2017) created on NOW-ID.

Awakened (2017) commissioned by TCU, Forth Worth, Texas.

Ghosts (2017) commissioned by the University of Richmond, Virginia.

Still Life (2018) created at Texas Tech University.

A Tonal Caress (2018) NOW-ID production commissioned by The Museum of Fine Arts, Salt Lake City, UT, July 12, 13, 14, 2018. Followed by a fim shoot in Marfa, Texas in late July, 2018.

2018-2019: New commissions for: 

Compañía Danza Contemporánea Ccu, Mexico (August 2018)

Nanyang Academy of Dance in Singapore (January 2019)

Nashville Ballet II (March 2019)

NOW-ID - Marfa (April 2019)